[Next Level of Art : Game] 강연자소개 / 지하루 & Graham Wakefield

Haru Ji & Graham Wakefield, <type:wall>, Seoul Olympic Museum of Art (SOMA), Korea, 2011

지하루 / Haru ji

지하루(Haru Ji) 작가는 인공생명과 생태계를 주제로 제네러티브 아트 장르를 지속적으로 발전시키고 있습니다. 가상 생태계에서 증식하는 생명체가 등장하는 작업을 통해 관람자가 예술 작품과 맺는 관계를 새롭게 설정합니다. 이러한 발생 예술과 게임은 상당히 많은 유사점을 지닐 수 있습니다. 또한, 그럼에도 불구하고 예술 작품과 게임이 가지는 차이점 또한 분명히 존재합니다. 지하루 작가와 그라함은 첫 번째 심포지엄을 통해 자신들의 작품과 게임의 유사성과 차이점을 설명하며 예술과 게임의 관계에 대한 새로운 접근을 가능하게 할 것입니다.

관심있으신 분들의 많은 참여 부탁드립니다.

[Next Level of Art : Game] 심포지엄 페이지 : http://aliceon-symposium.tistory.com/

지하루 작가 홈페이지 : http://haru.name/

Haru Ji is a TransArtist and researcher exploring the subject of life in art through Artificial Life Worldmaking: a form of computational generative art creating and evolving virtual ecosystems as immersive environments. She holds a Ph.D. in Media Arts & Technology at the University of California Santa Barbara and is an assistant professor of Art & Technology in the School of Consilience at Sogang University in Seoul, Korea. She attained a Master and a Bachelor of Fine Arts in Sculpture from Seoul National University, and studied image engineering, computer graphics and 3D animation at Chung-Ang University, both in Seoul, Korea. She has exhibited computational installations, digital sculptures, virtual architecture, video installations, sculptural objects and 3D animations at exhibitions and art festivals worldwide including ISEA, EvoWorkshops, and SIGGRAPH, with corresponding publications. She is a co-creator of the research project and immersive ecosystem "Artificial Nature", exploring the expansion of media art towards ‘art-as- it-could-be’. It is an amalgam of play, research, and art, which raises novel and significant questions regarding the trans-disciplinary interpretation of both subjective beauty and objective truth in art and biology.

- Selected Exhibitions

2011 (Invited) type:Wall "Artificial Nature: Time of Doubles", SOMA, Seoul, Korea

2011 (Invited) PROLOGUE/ PROTOTYPE "Alien-field", Gallery Sobab, Gyeonggi-Do, Korea

2011 (Invited) Collider 3:Transform"Artificial Nature; Fluid Space 2.5", Emily Davis Gallery, Akron, USA

2010 (Invited) Hyperbody "Artificial Nature: Fluid Space", ProtoSpace, TU Delft Technical University, Holland

2009 (Selected) SIGGRAPH Asia 2009, "Artificial Nature: Fluid Space", Art Gallery, Yokohama, Japan

2009 (Commissioned) Space Exploration Exhibition, "Artificial Nature: Fluid Space", "Eternal Return", Chunjin Exhibition Center, Chunjin, China

2009 (Invited) International Electronic Art Exhibition this Ability, "Artificial Nature: Fluid Space", CAFA Art Museum, Beijing, China

2009 (Invited) A.L.I.C.E. MUSEUM, "Artificial Nature: Fluid Space", SOMA, art center Nabi, Seoul, Korea

2009 (Selected) The Future of Interactive Media: Workshop on Media Arts, Science, and Technology 'MAST', "Artificial Nature: as an Infinite Game, : in the AlloSphere", Corwin Pavillion, AlloSphere, UCSB, Santa Barbara, USA

2008 (Invited) International Electronic Art Exhibition Universal Electronic Art, "Artificial Nature as an Infinite Game", Seongnam Art Center, Seongnam, Korea

2008 (Invited) International Electronic Art Exhibition thisAbility vs. Disability, "Artificial Nature as an Infinite Game", Total Museum of Contemporary Art, Seoul, Korea

2008 (Invited) ASIAGRAPH digital gallery, "Artificial Nature as an Infinite Game", Shanghai Exhibition Center, Shanghai, China

2008 (Invited) High School and University Student Art Bash, "EvoSystem I", Santa Barbara Museum of Art, Santa Barbara, USA

2007 (Commissioned) Virtual Solo Exhibition, "Complex Simplicity-Script Art Work & Digital Sculpture", Second Life

2006 (Commissioned) Collaborative Presentation "Suntithenai; Allosphere_VIIM: A Virtual Interactive and Immersive Metaphor of the Allosphere@UCSB", Corwin Pavillion & CNSI, UCSB, Santa Barbara, USA

2004 (Invited) Ten Years after v.2.0 My name is GAME! "Survival Training Game 2014 Edition", Insa Art Center, Seoul, Korea

2004 (Invited) Seoul-Shinchon Art Festival Crash and Flow, "Digital Escher", "My Own Prison", "Pouring Water ll", Seodaemun Prison History Hall, Seoul, Korea

2003 (Commissioned) Beyond Image, "Digital Escher", Dukwon Gallery, Seoul, Korea

2001 (Commissioned) SK TTL Street Performance, "Witches in Purple", TTL Street near Hong Ik University, Seoul, Korea

2000 (Invited) The 3rd Soft Fingers' Lost in the Zoo, "Video Installation - Lost in the zoo", the Korean Culture & Arts Foundation, Seoul, Korea

2000 (Funded) Channel-In Single Channel Video Festival, "Pouring Water l", Kwanghwamun art cube cinema, Seoul, Korea

1999 (Invited) Insa Festival, For Mr. Kim Performance, "Angels in White", Insa Street, Seoul, Korea

1999 (Invited) Youth Festival 1999 toward New Millennium, "Gate of Wing", Square Plaza of National Museum of Korea, Seoul, Korea

1999 (Funded) The 2nd Soft Fingers' Gap, "A Germinated Body" To-Art Space, Seoul, Korea

1999 (Invited) Incheon-Post The Dialogue, "Plastic^", Art Center of Incheon City, Incheon, Korea

1999 Exhibition for MFA, Art Works with Fish and body Images, Exhibition Hall at Museum of Seoul National University, Seoul, Korea

1998 (Invited) Seeing Sides, "Haru Ji Skethy Diary", "A Fish and I Dream of Wings", Ungjeon Gallery, Seoul, Korea

AliceOn New Media Art Symposium Series

[Next Level of Art : Game]

Part 1. 게임예술의 개념과 범위

진행일시 : 2013년 10월 19일 (토)
진행장소 : 더 미디엄 (서울시 서대문구 연희동 소재)
진행시간 : P.M 2:00 ~ 6:00

1. 게임과 예술의 공존 가능성 : 유원준 (디렉터, 앨리스온)
2. 발생예술과 게임의 유사성 : 지하루 & Graham Wakefield (미디어 아티스트)
3. 게임 예술의 철학적 의미 : 김상우 (편집위원, 앨리스온)

종합토론 : 정세라 (편집위원, 앨리스온), 김영무 (에디터, 앨리스온)

* 심포지엄 파트1의 경우, 최대 참석인원이 25명으로 제한됩니다. 참여를 원하시는 분들은 아래 참여방법을 참고해주시기 바랍니다.

*** 심포지엄 파트 1과 2의 경우, 강연자의 사정으로 일부 내용이 변경되었습니다. 양해 부탁드립니다.

AliceOn New Media Art Symposium Series [Next Level of Art : Game] web page

http://aliceon-symposium.tistory.com/